SPREAD TRIADAS - GUITAR 2 - Guitar - Nestor Crespo - FREE

SPREADTRIADS 2

TRIADS - SHAPES(Major - Minor - Augmented - Diminished)

by Nestor CrespoPractical and dynamic work methodology for the self-taught

student as well as for the teacher in class serie20y20.com.ar

GUITAR

STRING SETS 6 4 2 / 5 3 2 / 5 3 1 / 4 2 1

PROGRESSIONS(2 Major Mode & 2 Minor Mode)

FREE VERSIONDoes not Contain:

104 Backing Tracks

8 Assignments

Appendix Triads: Sus2 - Sus4 - Phrygian & Lydian

Printable Book without watermark

MUSICIAN FRIEND

You’ve just downloaded the Free Version of this Ebook:

Spread Triadas 2 for Guitar by Nestor Crespo

If you wish, you can purchase for a very low cost the complete version, which includes a greater number of exercises, assignments, backing, tracks, etc. with the objective of securing the addressed concepts.

As an independent publishing house, we will be so thankful with your purchase, because in this way you are helping us to create even more teaching material.

From Buenos Aires, Argentina, we send you the best wishes for your musical career.

Néstor Crespo Serie20&20 Director

www.serie20y20.com.ar

CONSIDERTIONS – FREE VERSION

The Free Version DOES NOT CONTAIN:

* It only contains 2 progressions (major mode) and 2 (minor mode) of the 48 and 40 progressions respectively.

* 8 Assignments (Jazz standard themes)

* 104 Backings Tracks (Essential complement for the complete study of the concepts studied)

* 6 audios corresponding to the Rhythmic Patterns for the right hand.

* Appendix Triads (sus2 - sus4 - Phrygian - Lydian)

* Printable Book (without watermark)

If you wish, you can obtain the complete Ebook by purchasing at a low cost the Paid Version at

OBJECTIVES AND PURPOSES

The Spread triads is often used as a tool when we perform a musical arrangement, however, many

instrumentalists and composers use the triads openly, thus achieving a greater expressive weight.

The open triads are obtained by ascending or descending an octave the internal voice of a triad in closed

position, either in root position or inverted, thus achieving a tenth interval between the bass and the upper

voice.

Practicing the different exercises, progressions and works, we will achieve a conscious and dynamic

handling of the different fingerings and sonorities produced.

CONTENTS

We will use four types of open triads: Major - Minor - Diminished and Augmented, both in fundamental

position and in first and second inversion in string sets: 6 4 2 / 5 3 2 / 5 3 1 / 4 2 1

The different strings sets are organized starting from the study of the fingerings of each type of triad,

previously mentioned, in position and across the guitar neck.

We will practice with 44 progressions in the major mode and 40 in the minor mode using concepts of

functional harmony: diatonic chords, secondary dominants, substitutes and modal interchange chords.

It also includes the harmonization of the Major Scale, the Composite Minor Scale, the Circle of fifths and

the third diatonic. The 8 assignments include the jazz standard in 4/4 and ballads.

We will practice the open triads as a chord as well as six different rhythm patterns for the right hand. Also

included are the shapes of the following open triads: Sus2 - Sus4 - Lydian & Phrygian.

AUDIOS

The 104 audios included are a necessary complement for the correct study of this Ebook.

• 88 exercises (with string quartet)

• 8 Practical Works (with string quartet)

• 8 Practical Works (only with melody and double bass)

The audios with string quartet will allow us to take a real dimension of the sound amplitude produced

through the use of open triads and enjoy when practicing the different exercises and practical work.

nestor.crespo@usa.net / www.nestorcrespo.com.ar / www.serie20y20.com.ar

NESTOR CRESPO (Professor - Guitarist - Composer - Arranger)

Teaching Career

Made guitar studies with professor Armando Alonso and composing with professor Claudio Schulkin in an autodidact way. Develops a solid teaching career, both in the private sector and in important institutions from Argentina and Europe. Founder professor (1986) of the Escuela de Música Popular de Avellaneda holding the position of associate professor of the Jazz Guitar professorship, position held today. Also works on the making of four workbooks for the professorship mentioned. Professor of the virtual professorship Functional Harmony I & II from the UNA’s (Nacional University

of Art) Departamento de Artes Musicales y Sonoras (Damus) , position held today. Dictated numerous workshophs about Functional Harmony and Improvisation of Popular Music in prestigious study centers such as: Hochshule für Musik Karlsruhe (Germany), Conservatorio de Palma de Mallorca and Las Aulas (Barcelona, Spain), as well as other clinics about Tango elements, in Germany and Switzerland organized by the Deutsch Akademie des Tango (Stuttgart, Germany) Created in 2008 "Serie 20 & 20 – workbooks" which contains 20 lessons and 20 exercises about different areas of musical science. (For more information visit: www.serie20y20.com.ar)

In March of 2013 the editorial of DAMus (Department of Musical Arts) dependent of UNA (Nacional University of Art) publishes the book Funtional Harmony 1 & 2.

Career Highlights During the 80s, takes part of different Jazz groups performing in the most prestigious jazz venues and clubs of Buenos Aires and the inner country. In 1989 lives in Palma,Mallorca (Spain) working with european musicians among which stands out Ola Calamayer (pianist of saxophonist Dexter Gordon). Participates in the Mallorca International Jazz Festival, invited by the quintet of the prestigious trumpeter Woody Shaw. In the early 90s creats with Juan Dargenton El Tranvía Tango with which records 9 CDs in Argentina and Europe, and performs continuously over 25 european tours averaging 80 annual concerts, playing in the most impo rtant concert halls, culturar centers, theaters, etc. Shared the stage with Sexteto Mayor, Daniel Binelli (bandoneonist of Astor Piazzolla), bandoneonist Alfredo Marcucci, singers José Ángel Trelles, María Graña, etc. Received important awards both in Argentina and abroad: ACE Award (Entertainment Writters Association) as Best Tango Group, Tango Future Award given by Deutsch Akademie der Tango (Stuttgart, Germany). CD Ocre Buenos Aires", receives an award for Best CD granted by the famous magazine Gränsen (Stockholm, Sweden), etc. Develops an intense career as an arranger of tango and world music for different record labels in Germany. Composed the music for the program Visión Siete Internacional (winner of the Martin Fierro 2009 award) which it is broadcasted since 2005 by TV Pública - Canal 7 - Argentina. Invited by plastic artist Andrés Zerneri to compose the music of his two documentaries: 900 grados (monument to Che

Guevara) and Monumento a la Mujer Originaria". In 2006 creats in Germany with Tomas Pérez (Puerto Rico) and Joselo González (Chile) the music group called Sur Tres, recording their first CD in which performs its musical arrangements. Also served as arranger and musical director of the Tango singer Omar Mollo, and guitarist of the singer and bandoneonist Rubén Juárez.

Gratitude's

To my children’s, Lucía and Franco.

Humbly, I hope to be useful to you.

Néstor Crespo

INDEX SPREAD TRIADS 2 - FREE VERSION

Right Hand Fingering Patterns (Only in Pay Version) ............................................................................................................................................ 1

Set 6 4 2 - Shapes of Spread Triads ................................................................................................................................................................................................ 2

Exercise across the neck ...................................................................................................................................................................................................................... 3

Circle of Fifths - Major Triad ................................................................................................................................................................................................ 4

Circle of Fifths - Minor Triad ................................................................................................................................................................................................ 5

Circle of Fifths - Diminished Triad ................................................................................................................................................................................................ 6

Circle of Fifths - Augmented Triad ................................................................................................................................................................................................ 7

Harmonize the Major & Compound Minor Scale (Root Position) ................................................................................................... 8

Harmonize the Major & Compound Minor Scale (First Inversion) ................................................................................................... 9

Harmonize the Major & Compound Minor Scale (Second Inversion) ................................................................................................... 10

Circle of Thirds (Major & Minor Moder) ............................................................................................................................................................................................... 11

Exercise 1 (Major Mode) ...................................................................................................................................................................................................................... 12

Exercise 2 (Only in Pay Version).......................................................................................................................................................................................................................... 13

Exercise 3 (Only in Pay Version)............................................................................................................................................................................................................................ 14

Exercise 4 (Only in Pay Version) ...................................................................................................................................................................................................................... 15

Exercise 6 (Only in Pay Version) ........................................................................................................................................................................................................................ 17

Exercise 7 (Minor Mode) ...................................................................................................................................................................................................................... 18

Exercise 8 (Only in Pay Version)........................................................................................................................................................................................................................ 19

Exercise 11 (Only in Pay Version) .......................................................................................................................................................................................................................... 22

Cinema Paradise (Melodie) (Only in Pay Version) ............................................................................................................................................................................ 23

Cinema Paradise (Exercise) (Only in Pay Version) ............................................................................................................................................................................... 23

When you wish upon the star (Melodie) ......................................................................................................................................................................... 24

When you wish upon the star (Exercise) ......................................................................................................................................................................... 25

Circle of Fifths - Major Triad (Only in Pay Version)............................................................................................................................................... 28

Circle of Fifths - Minor Triad (Only in Pay Version) ................................................................................................................................................. 29

Circle of Fifths - Diminished Triad (Only in Pay Version).................................................................................................................................................... 30

Circle of Fifths - Augmented Triad (Only in Pay Version)...................................................................................................................................................... 31

Harmonize the Major & Compound Minor Scale (Root Position) (Only in Pay Version).............................................................. 32

Harmonize the Major & Compound Minor Scale (First Inversion) (Only in Pay Version)............................................................. 33

Harmonize the Major & Compound Minor Scale (Second Inversion) (Only in Pay Version)......................................................... 34

Circle of Thirds (Major & Minor Moder) (Only in Pay Version) .............................................................................................................................................. 35

Exercise 1 (Major Mode) (Only in Pay Version) ....................................................................................................................................................................... 36

Exercise 2 (Only in Pay Version) .............................................................................................................................................................................................................................. 37

Exercise 3 (Only in Pay Version) ........................................................................................................................................................................................................................... 38

Exercise 7 (Minor Mode) (Only in Pay Version).......................................................................................................................................................................... 42

Exercise 8 (Only in Pay Version) ......................................................................................................................................................................................................................... 43

Exercise 11 (Only in Pay Version) ......................................................................................................................................................................................................................... 46

Skylark (Melodie) (Only in Pay Version) ............................................................................................................................................................................................. 47

Skylark (Exercise) (Only in Pay Version) ............................................................................................................................................................................................. 48

Always and Forever (Melodie) (Only in Pay Version) ......................................................................................................................................................................... 49

Always and Forever (Exercise) (Only in Pay Version) ......................................................................................................................................................................... 50

Circle of Fifths - Major Triad (Only in Pay Version)................................................................................................................................................. 53

Circle of Fifths - Minor Triad (Only in Pay Version)...................................................................................................................................................... 54

Circle of Fifths - Diminished Triad (Only in Pay Version)...................................................................................................................................................... 55

Circle of Fifths - Augmented Triad (Only in Pay Version)........................................................................................................................................................ 56

Harmonize the Major & Compound Minor Scale (Root Position) (Only in Pay Version)....................................................... 57

Harmonize the Major & Compound Minor Scale (First Inversion) (Only in Pay Version)......................................................... 58

Harmonize the Major & Compound Minor Scale (Second Inversion) (Only in Pay Version)........................................................ 59

Circle of Thirds (Major & Minor Moder) (Only in Pay Version)................................................................................................................................................... 60

Exercise 1 (Major Mode) (Only in Pay Version) ................................................................................................................................................................ 61

Exercise 7 (Minor Mode) ...................................................................................................................................................................................................................... 67

Close to you (Melodie) (Only in Pay Version) ................................................................................................................................................................................................. 72

Close to you (Exercise) (Only in Pay Version) .................................................................................................................................................................................................. 73

You dont know what love is (Melodie) (Only in Pay Version) .................................................................................................................................................... 74

You dont know what love is (Exercise) (Only in Pay Version) ................................................................................................................................................... 75

Circle of Fifths - Major Triad (Only in Pay Version) .............................................................................................................................................. 78

Circle of Fifths - Minor Triad (Only in Pay Version)....................................................................................................................................................... 79

Circle of Fifths - Diminished Triad (Only in Pay Version)..................................................................................................................................................... 80

Circle of Fifths - Augmented Triad ................................................................................................................................................................................................ 81

Harmonize the Major & Compound Minor Scale (Root Position) (Only in Pay Version)....................................................... 82

Harmonize the Major & Compound Minor Scale (First Inversion) (Only in Pay Version)......................................................... 83

Harmonize the Major & Compound Minor Scale (Second Inversion) (Only in Pay Version)......................................................... 84

Circle of Thirds (Major & Minor Moder) (Only in Pay Version).................................................................................................................................................... 85

Exercise 1 (Major Mode) (Only in Pay Version) ......................................................................................................................................................................... 86

Exercise 3 (Only in Pay Version) ............................................................................................................................................................................................................................ 88

Exercise 7 (Minor Mode) (Only in Pay Version) ...................................................................................................................................................................... 92

Here there and everywhere (Melodie) (Only in Pay Version)............................................................................................................................. 97

Here there and everywhere (Exercise) (Only in Pay Version)............................................................................................................................. 98

Smoke gets in your eyes (Melodie) (Only in Pay Version) ................................ ................................................................................................................. 99

Smoke gets in your eyes (Exercise) (Only in Pay Version) ................................................................................................................................................... 100

Appendix

Shapes of Spread Triads (Sus2) (Only in Pay Version) ................................................................................................................................................... 101

Shapes of Spread Triads (Sus4) (Only in Pay Version) ................................................................................................................................................... 102

Shapes of Spread Triads (Phrygian) (Only in Pay Version) ................................................................................................................................................... 103

Shapes of Spread Triads (Lydian) (Only in Pay Version) ................................................................................................................................................... 104

V b c ..˙ ˙‰ œ œ œ ‰ œ œ œF

Pattern 1

Audio: 1

V b c ...œ .œ œœ>

œ œœ>

œ œœ œ

Pattern 2

Audio: 2

V b c ...œ Jœ ˙..œœ

jœœ ˙̇F

Pattern 3

Audio: 3

V b c ..˙ ˙‰ ..œœ ˙̇F

Pattern 4

Audio: 4

V b 43 ...˙‰ jœ œ œ œF

Pattern 5

Audio: 5

V b 43 ..˙ œ‰ jœœ ˙̇

Audio: 6

Pattern 6

Right Hand Fingering Patterns(Néstor Crespo)

www.nestorcrespo.com

& wœœ#

Root Position

Ax x x

& wœœ#

�VII

2� 1 1

1rst Inversion 2nd Inversion Root Position

&wœœ#

& wœœ#

& wœœ

x x xAm

& wœœ

VII �

&wœœ

& wœœ

�XVII

& wœœb

x x xA°

& wœœb

&wœœb

A°/Eb

& wœœb

& wœœ##

x x xA+

& wœœ##

&wœœ##

& wœœ##

Shapes - Set 6 4 2(Néstor Crespo)

M INOR

D IM IN ISHED

AUGMENTED

& c ..www

q = 1201) A www

A/C# wwwA/E www

A/C# wwwIA

& c ..| |2) A A/C#

q = 96

| |A/E A/C#

& c ..|q = 1201) Am |Am/C |Am/E |Am/C

& c ..| |2) Am Am/Cq = 96

| |Am/E Am/C

& c ..|q = 1201) A° |A°/C |A°/Eb |A°/C

|H A°

& c ..| |2) A° A°/Cq = 96

| |A°/Eb A°/C

|H A°

& c ..|q = 1201) A+ |A+/C# |A+/E# |A+/C#

& c ..| |2) A+ A+/C#

q = 96

| |A+/E# A+/C#

Exercise across the neck

Major Triad

(Néstor Crespo)

Set 6 4 2

Minor Triad

Diminished Triad

Augmented Triad

& c .. ‰ œœœ‰œœœ

C/Gq = 120

Pattern 1

’ ’ ’ ’F/A

simile - - - -

’ ’ ’ ’Bb

’ ’ ’ ’Eb/Bb

& ’ ’ ’ ’Ab

’ ’ ’ ’Db/Ab

’ ’ ’ ’Gb/Bb

’ ’ ’ ’B/F#

& ..’ ’ ’ ’E/G#

’ ’ ’ ’A

’ ’ ’ ’D/A

’ ’ ’ ’G

& c ....œœ

.œJœ ˙

C/Eq = 120

Pattern 3

’ ’ ’ ’F

simile - - - -

’ ’ ’ ’Bb/D

’ ’ ’ ’Eb

& ’ ’ ’ ’Ab/Eb

’ ’ ’ ’Db

’ ’ ’ ’Gb/Db

’ ’ ’ ’B/D#

& ..’ ’ ’ ’E

’ ’ ’ ’A/E

’ ’ ’ ’D

’ ’ ’ ’G/D

Circle of Fifths

Major Triad

(Néstor Crespo)

I al VII

VII al XIIMajor Triad

Set 6 4 2

& c ..œ œb œ

œ œ œœ œ.œ .œ œ

Cm/Gq = 120

Pattern 2

’ ’ ’ ’Fm/Ab

simile - - - -

’ ’ ’ ’Bbm

’ ’ ’ ’Ebm/Bb

& ’ ’ ’ ’Abm

’ ’ ’ ’Dbm/Ab

’ ’ ’ ’Gbm/Bbb

’ ’ ’ ’Bm

& ..’ ’ ’ ’Em/B

’ ’ ’ ’Am

’ ’ ’ ’Dm/A

’ ’ ’ ’Gm/Bb

& c .. ‰ ..œœ ˙̇˙b ˙

Cm/Ebq = 120

Pattern 4

’ ’ ’ ’Fm/C

simile - - - -

’ ’ ’ ’Bbm/Db

’ ’ ’ ’Ebm

& ’ ’ ’ ’Abm/Eb

’ ’ ’ ’Dbm

’ ’ ’ ’Gbm/Db

’ ’ ’ ’Bm/D

& ..’ ’ ’ ’Em

’ ’ ’ ’Am/E

’ ’ ’ ’Dm

’ ’ ’ ’Gm/D

Circle of Fifths

Minor Triad

(Néstor Crespo)

I al VII

VII al XIIMinor Triad

Set 6 4 2

& 43 .. ‰ jœb œ œ œ.˙b

C°/Gbq = 120

Pattern 5

’ ’ ’F°/Ab

simile - - - -

’ ’ ’Bb°

’ ’ ’Eb°/Bbb

& ’ ’ ’Ab°

’ ’ ’Db°/Abb

’ ’ ’Gb°/Bbb

’ ’ ’B°

& ..’ ’ ’E°/Bb

’ ’ ’A°

’ ’ ’D°/Ab

’ ’ ’G°/Bb

& 43 .. ‰jœœb ˙̇

˙b œq = 120

Pattern 6

C°/Eb

’ ’ ’F°/Cb

simile - - - -

’ ’ ’Bb°/Db

’ ’ ’Eb°

& ’ ’ ’Ab°/Ebb

’ ’ ’Db°

’ ’ ’Gb°/Dbb

’ ’ ’B°/D

& ..’ ’ ’E°

’ ’ ’A°/Eb

’ ’ ’D°

’ ’ ’G°/Db

Circle of Fifths

Diminished Triad

(Néstor Crespo)

I al VII

VII al XIIDiminished Triad

Set 6 4 2

& c ..œ# œ œ

œ œ œ œ œ.œ .œ œ

C+/G#q = 120

Pattern 2

’ ’ ’ ’F+/A

simile - - - -

’ ’ ’ ’Bb+

’ ’ ’ ’Eb+/B

& ’ ’ ’ ’Ab+

’ ’ ’ ’Db+/A

’ ’ ’ ’Gb+/Bb

’ ’ ’ ’B+

& ..’ ’ ’ ’E+/G#

’ ’ ’ ’A+

’ ’ ’ ’D+/A#

’ ’ ’ ’G+/B

& c .. ‰ ..œœ# ˙̇˙ ˙C+

q = 120

Pattern 4

’ ’ ’ ’F+/C#

simile - - - -

’ ’ ’ ’Bb+/D

’ ’ ’ ’Eb+

& ’ ’ ’ ’Ab+/E

’ ’ ’ ’Db+

’ ’ ’ ’Gb+/D

’ ’ ’ ’B+/D#

& ..’ ’ ’ ’E+

’ ’ ’ ’A+/C#

’ ’ ’ ’D+

’ ’ ’ ’G+/D#

Circle of Fifths

Augmented Triad

(Néstor Crespo)

I al VII

VII al XIIAugmented Triad

Set 6 4 2

& #w w w w w w w# wœœ œœ œœ œœ œœ œœ œœ œœ

G Am Bm

D Em G

VII �

XII �

XIV �

& w w w w w w w w# w w# wœœ œœ œœ# œœ œœ# œœ# œœ œœ œœ œœ œœ

Am B° C+ Dm D E

F F#° G G#° Am

V VII �

�VIII

XIII XIV XV XVI XVII

(Nestor Crespo)

Set 6 4 2

Em F#°

Key of G Major Root Position

Key of A Minor Root Position

Fm F#°

Harmonizing the Minor Composed Scale

G Am Bm C D

Am B° C+

Dm D E G G#° Am

Harmonizing the Major Scale

& b w w w w w w w wœœ

F/A Gm/Bb Am/C

C/E Dm/F F/A

4V �

4VII �

& bb b b w w w w w w w wn w wn wœœ

œœn œ

œœœn# œ

œnœœ

Fm/Ab G°/Bb Ab+/C Bbm/Db Bb/D C/E

Db/F D°/F Eb/G E°/G Fm/Ab

�4 �

4VIII �

VIII X

(Nestor Crespo)

Set 6 4 2

Key of F Major First Inversion

Key of F Minor First Inversion

F/A Gm/Bb Am/C

Db/F D°/F Fm/Ab G°/Bb Ab+/C Bbm/Db

Eb/G E°/G Fm/Ab

F/ABb/D C/E E°/G

Bb/D C/E

& w w w w w w w wœœ œœ œœ œœ œœ œœ œœ œœ

C/G Dm/A Em/B

G/D Am/C C/G

III �1

VIII �1

21XII �

& bb b w w w w w w w wn w wn wœœ œœ œœn œœ œœn œœn œœ œœ œœ œœ œœ

Cm/G D°/Ab Eb+/B Fm/C F/C G/D

Ab/Eb A°/Eb Bb/F B°/F Cm/G

�1�1

VI VIII

1IX X XI XII XIII

(Nestor Crespo)

Set 6 4 2

Key of C Major Second Inversion

Key of C Minor Second Inversion

A°/Eb Bb/F

C/G Dm/A Em/B F/C

Cm/G D°/Ab Eb+/B Fm/C F/C B°/F Cm/G

G/D Am/C C/G

G /D Ab/Eb

& c .. ..œœ

.œ Jœ ˙

q = 96 C/G Am

Pattern 3

’ ’ ’ ’F/A Dm/A

simile - - - -

& ..’ ’ ’ ’B° G/B

’ ’ ’ ’Em/B C

&### c .. ‰

.œœ ˙

˙˙ ˙

A/Eq = 96

Pattern 4

F#m/C#2

’ ’ ’ ’D Bm/D

simile - - - -

&### ..’ ’ ’ ’

G#°/B E/B

’ ’ ’ ’C#m/G# A

& bbb 43 .. ‰ jœ œ

q = 96

Pattern 5

3 Cm/G

’ ’ ’A°

simile - - - -

’ ’ ’Fm/Ab

’ ’ ’D°/Ab

& bbb ..’ ’ ’B°

’ ’ ’G/D

’ ’ ’Eb+

’ ’ ’Cm/Eb

.|Cm/Eb

& 43 .. ‰jœœ

q = 96

Pattern 6

’ ’ ’F#°/C

simile - - - -

’ ’ ’Dm

’ ’ ’B°

& ..’ ’ ’G#°/B

’ ’ ’E/G#

’ ’ ’C+/G#

’ ’ ’Am .|

Circle of Diatonic Thirds (Néstor Crespo)

Major ModeSet 6 4 2

Minor Mode Melodic Minor

& wwwwCmaj7

œœœ œœœ œœœT 3 5

Root Position 1rst Inversipn 2nd InversionC

Soundgenerated:

& wwwwb3

Triads with the fundamental in:

œœœb œœœb œœœb3 5 b7

Root Position 1rst Inversipn 2nd Inversion

Soundgenerated:

& wwwwbb7

C7 œœœ∫bb ( œœœb )bœœœbb∫ œœœb∫b

b7 b9 3

C7 (b9)

& wwwwbb7

C7 œœœ#b œœœb# œœœb#Bb+

b7 9 #11

C7 (9 / #11)

Considerations - Theory(Néstor Crespo)

All the exercises and assignments included in this ebook are organized according the study of functional

With this last work we will also have the possibility of further expanding the search for other sonorities,

harmony.

So I recommend for a perfect understanding of each of the contents, acquire the ebooks of my authorship:

Functional Harmony 1 and 2 as well as, the Superposition ebook of Triads 1 by Armando Alonso.

using each of the triad superpositions explained by the author in a practical and dynamic way.

Below a brief explanation of the use of the triads used in the exercises and assignments.

In the cases of the major chords with seventh major, minor with seventh minor, semi-diminished and

diminished, we will apply the first triad of each chord species mentioned above.

For example:

In the case of the chords with dominant structure we will use three possibilities according to the tonal

function that they represent during the progression or song.

& c ..‰ œ œ œ ‰ œ œ œ˙ ˙

C/Gq = 108

Pattern 1

’ ’ ’ ’F/A

’ ’ ’ ’G

’’’’C/G wwwH

& c ..’ ’ ’ ’C2)

’ ’ ’ ’F/C

’ ’ ’ ’G/B

’’’’C wwwH

& c ..’ ’ ’ ’C/E3)

’ ’ ’ ’F

’ ’ ’ ’G/D

’’’’C/E wwwH

& ### # c ..œ œ œ œ œ

œœ œ.œ .œ œ

E/G#q = 108

Pattern 2

’ ’ ’’B/F#

’’’’A

’’’’E/G#

wwwHE/G#

& ### # c ..’’’’E/B2)

’ ’ ’ ’B

’’’’A/C#

’’’’E/B wwwH

& ### # c ..’’’’E3)

’ ’ ’ ’B/D#

’’’’A/E

’’’’E wwwH

EXERCISE 1

Progression I / IV / V / I

(Néstor Crespo)

Progression I / V / IV / I

Set 6 4 2 Major Mode

Diatonic Chords

Audio 1a

Audio 1b

& bbb c ..‰ œ œ œ ‰ œ œ œ˙ ˙

Cm/Gq = 108

Pattern 1

’ ’ ’ ’Fm/Ab

’’ ’’F°/Ab

G7(b9)

’’’’Cm/G wwwH

& bbb c ..’’’’Cm2)

’ ’ ’ ’Fm/C

’ ’ ’ ’F°/Cb

’’’’Cm wwwH

& bbb c ..’’’’Cm/Eb3)

’ ’ ’ ’Fm

’ ’ ’ ’F°

’’’’Cm/Eb wwwH

& bbb c ..œ œ œ œ œ

œœ œ.œ .œ œ

Cm/Gq = 108

Pattern 2

’ ’ ’ ’G

’’’’Fm/Ab

’’’’Cm/G wwwH

& bbb c ..’’’’Cm2)

’ ’ ’ ’G/B

’ ’ ’ ’Fm/C

’’’’Cm wwwH

& bbb c ..’’’’Cm/Eb3)

’ ’ ’ ’G/D

’ ’ ’ ’Fm

’’’’Cm/Eb wwwH

EXERCISE 7

Progression Im / IVm / Valt / Im

(Néstor Crespo)

Progression Im / V / IVm / Im

Set 6 4 2 Minor Mode

Diatonic Chords

Audio 7b

Audio 7a

& cœ œ œ œC�

q = 82

œ# œ ˙Dm7 F�

œ œ œ œG7

œ# œ ˙C°7 C�

& œ œ œ œEm7 Eb°7

œ œ œ œDm7 G7

˙ ˙F� G7

wEm7 Eb7 Dm7 Db7

& œ œ œ œEø A7A2

œ# œ ˙Dm7 Em7

œ œ œ œG7F�

œ# œ ˙F#ø Fm7

œ œ œ œDm7 G7G7sus4

˙ ˙Dm7 G7

wC� Eb7

& ˙ ˙Dø

wC� Eb7

Œ œ œ œDm7 G7

œ# œ .˙C°7 C� E7

& Œ œ œ# œAm

œ# œ œ ‰ œ œ œD7 wFm Bb7

& œ œ œ œC� A7A3

œ# œ ˙Dm7 F�

œ œ œ œG7

œ# œ ˙C°7 C�

œ œ œ œDm7 G7

˙ ˙F� G7

wAb� Bb� w

WHEN YOU WISH UPON A STAR(Nestor Crespo)

Ned Washington

& c | |C/G

q = 82

C#°/GA1

| |Dm/A F/C

| |G/D B°/D

| |C°/Eb C/E

& | |Em Eb°

| |Dm B°/D

| |F/C G/B Û Û Û ÛEm/B G°/Bb Dm/A Cb+

Eb7 Db7(9/#11)

& | |E°/Bb G°/Bb

A7(b9)Eø

| |Dm/A Em/B

| |F/C G/D

| |F#°/C Fm/C

& | Û ÛEm/B F#°/C A°/Eb

B7(b9)F#ø

| Û ÛDm Gsus4/D B°/D

| |Dm B°

| Û ÛCsus2/G C/G G°/Bb

& | |D°/Ab

BAb+/C

Bb7(9/#11)

| |C Db+

Eb7(9/#11)

| |Dm B°/D

| Û ÛC°/Eb C/E D°

E7(b9)

& | |Am/C Am

| |F#°/A F#°/C

| |Fm/C Ab+/C

Bb7(9/#11)

| |B° G

& | |C/G C#°/G

| |Dm/A F/C

| |G/D B°/D

| |C°/Eb C/E

& | |Em Eb°

| |Dm B°/D

| |F/C B°

| |Ab/C Bb

WHEN YOU WISH UPON A STAR(Nestor Crespo)

Ned Washington

Audio 2Set 6 4 2

MUSICIAN FRIEND

& wœœ#

Root Position

Dx x x

& wœœ#

XV � 4

1D/A D

&wœœ# & w

& wœœ

x x xDm

& wœœ

&wœœ

& wœœ

& wœœb

x x xD°

& wœœb

&wb œœ

D°/Ab

& wbœœ

& wœœ##

x x xD+

& wœœ##

�VII

&wœœ##

& wœœ##

M INOR

D IM IN ISHED

AUGMENTED

& c ..www#

q = 1201) A/C# www#

A/E www#A www#

www#IA/C#

& c ..| |2) A/C# A/Eq = 96

| |A A/E

|H A/C#

& c ..|q = 1201) Am/C |Am/E |Am |Am/E

|H Am/C

& c ..| |2) Am/C Am/Eq = 96

| |Am Am/E

|H Am/C

& c ..|q = 1201) A°/C |A°/Eb |A° |A°/Eb

|HA°/C

& c ..| |2) A°/C A°/Ebq = 96

| |A° A°/Eb

|H A°/C

& c ..|q = 1201) A+/C# |A+/E# |A+ |A+/E#

|HA+/C#

& c ..| |2) A+/C# A+/E#

q = 96

| |A+ A+/E#

|HA+/C#

Exercise Across the Neck

Major Triad

(Néstor Crespo)

Set 5 3 2

Minor Triad

Diminished Triad

Augmented Triad

MUSICIAN FRIEND

& wœœ#

Root Position

Dx x x

& wœœ#

�VII

2� 1 1

&wœœ# & w

& wœœ

x x xDm

& wœœ

VII �

&wœœ

& wœœ

�XVII

& wœœb

x x xD°

& wœœb

&wœœb

D°/Ab

& wœœb

& wœœ##

x x xD+

& wœœ##

&wœœ##

& wœœ##

M INOR

D IM IN ISHED

AUGMENTED

& c ..www#

q = 1201)

D www#D/F# www#

D/A www#D/F# www

& c ..| |2) D D/F#q = 96

| |D/A D/F#

& c ..|q = 1201) Dm |Dm/F |Dm/A |Dm/F

& c ..| |2) Dm Dm/Fq = 96

| |Dm/A Dm/F

& c ..|q = 1201) D° |D°/F |D°/Ab |D°/F

|H D°

& c ..| |2) D° D°/Fq = 96

| |D°/Ab D°/F

|H D°

& c ..|q = 1201) D+ |D+/F# |D+/A# |D+/F#

& c ..| |2) D+ D+/F#q = 96

| |D+/A# D+/F#

Major Triad

(Néstor Crespo)

Set 5 3 1

Minor Triad

Diminished Triad

Augmented Triad

MUSICIAN FRIEND

& wœœ

Root Position

Fx x x

& wœœ

XV � 4

&wœœ & w

& wœœb

�III

x x xFm

& wœœb

&wœœb

& wœœb

& wœœbb

x x xF°

& wœœbb

�1VI

F°/Ab

&wœœbb

�XIII

F°/Cb

& wœœb b

& wœœ#

x x xF+

& wœœ#

&wœœ#

�XIII

& wœœ#

M INOR

D IM IN ISHED

AUGMENTED

& c ..wwwq = 1201)

F wwwF/A www

F/C wwwF/A wwwI

& c ..| |2) F F/Aq = 96

| |F/C F/A

& c ..|q = 1201) Fm |Fm/Ab |Fm/C |Fm/Ab

& c ..| |2) Fm Fm/Abq = 96

| |Fm/C Fm/Ab

& c ..|q = 1201) F° |F°/Ab |F°/Cb |F°/Ab

|H F°

& c ..| |2) F° F°/Abq = 96

| |F°/Cb F°/Ab

|H F°

& c ..|q = 1201) F+ |F+/A |F+/C# |F+/A

& c ..| |2) F+ F+/Aq = 96

| |F+/C# F+/A

Major Triad

(Néstor Crespo)

Set 4 2 1

Minor Triad

Diminished Triad

Augmented Triad

MUSICIAN FRIEND

Crespo, Néstor Rubén

Spread Triads 2 / GUITAR

1st bilingual edition - Buenos Aires: Nestor Crespo, 2019.

EBook, DXReader

Spanish-English Edition

Digital Archive: download online

1. Music. I. Title.

ISBN 978-987-28103-4-4

Date of registration: 12/11/2019

Spread Triads 2 / GUITAR

1st edition

nestor.crespo@usa.net

www.nestorcrespo.ar

Date of publication: November 2019

Replication Date: November 2019

The deposit established by Law 11.723

EDITED IN ARGENTINA

Graphic Design: Edgardo Vallarino

Recording Studio: Federico Palmero

The backing tracks belongs to the author of the work.

The content and originality of this document is the sole responsibility of its author.

The content and originality of this document is the sole responsibility of its author. No part of this

publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means,

electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the

publisher. editor.

Your violation is punishable by laws 11,723 and 25,446.

Audio belongs to the author of the work done by and in the studies of Prof. Federico Palmero

federicopalmero@gmail.com

Cover Design: Edi Vallarino

www.edivallarino.com.ar

Made in Buenos Aires, Argentina August 2019

SPREAD TRIADAS - GUITAR 2 - Guitar - Nestor Crespo - FREE

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