Programa Prima Carminis Final

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GOA UNIVERSITY CHOIR Sopranos: Alice D’Cruz - Chriselle Mendonça (percussion and assistant conductor) Kim A. Costa (soloist) - Patricia Sequeira -Yulette Coutinho Altos: Asha Lobo - Karen Fernandes - Patricia Correa Colaco Tanya Rosada Pereira -Teresa Dias – Ameetha Mascarenhas Tenors: Isaac Fernandes – Rudolph Karmeeir – Ralph Fernandes Kevin D’Souza -Mario Lobo - Noel de Souza – Ruben Quadros (soloist) Basses: Alver d’Souza - Caetano Felipe Colaco – Vernon Aranha Kevin Mascarenhas, Alfredo Cotta – Ulrich Dias. Coordinator: Prof. Marise D´lima. GU CHAMBER ORCHESTRA Eshvita Nazareth – Frederika Cotta – Chernoll Mendoca (Violins) Ingris Anne Nazareth (Piano) - Carlos Gonsalves (percussion) Shelton Afonso (Guitar) Soloist: Sonia Shirsat GOA UNIVERSITY CHOIR Biography The GU Choir was founded in 2013 under the baton of Metro. Lusardi Girelli, since then the Choir has offered several concerts in Panjim and all around Goa. In 2014 the GUCH performed at the Mount Festival receiving excellent commentaries from the audience and the press, on that year the GUCH did his first tour performing in Mangalore with a great success. SANTIAGO LUSARDI GIRELLI – CONDUCTOR ItalianArgentinian conductor, his work as a choir and orchestra conductor, performer, composer and scholar of theological & philosophical traditions of the East and West has taken place in the last recent years in Argentina, Venezuela, Germany, Belgium, Bolivia, Peru, Italy, France, Germany, Belgium, Spain and India. He started his studies in music and philosophy since he was very young; these two paths of study have developed his profile. He has been committed to many educational initiatives that help bringing classical music to young children including all the music programs initiated by the University of Seville, which in time will provide for local talent to flourish at internationally recognized standards. Lusardi Girelli studied Theology and Philosophy at the Universidad del Salvador (US) and Oriental Philosophies, Yoga and Meditation in Argentina, Europe and India. Present day he is CoConductor in the “Seville Symphony Orchestra Hispalense” (Spain) and CoConductor at the Seville University Choir. He is founder conductor of the Goa University Choir; he has the Anthony Gonsalves Chair as Visitor Professor at the Goa University in India and Director of Social Art programmes and Professor and Director of International Social Musical Project at the University of Seville (Spain). Prima Carminis primitive chant GOA UNIVERSITY CHOIR Mtro. Santiago Lusardi Girelli Conductor Anthony Gonsalves Chair - Visiting Research Professor Program. TALIGAO CHURCH Saturday 28th of February - 18.45 hs. GOA

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Programa Prima Carminis FinalGOA UNIVERSITY CHOIR

Transcript of Programa Prima Carminis Final

  • GOA UNIVERSITY CHOIR

    Sopranos: Alice DCruz - Chriselle Mendona (percussion and assistant conductor) Kim A. Costa (soloist) - Patricia Sequeira -Yulette Coutinho Altos: Asha Lobo - Karen Fernandes - Patricia Correa Colaco Tanya Rosada Pereira -Teresa Dias Ameetha Mascarenhas Tenors: Isaac Fernandes Rudolph Karmeeir Ralph Fernandes Kevin DSouza -Mario Lobo - Noel de Souza Ruben Quadros (soloist) Basses: Alver dSouza - Caetano Felipe Colaco Vernon Aranha Kevin Mascarenhas, Alfredo Cotta Ulrich Dias. Coordinator: Prof. Marise Dlima. GU CHAMBER ORCHESTRA Eshvita Nazareth Frederika Cotta Chernoll Mendoca (Violins) Ingris Anne Nazareth (Piano) - Carlos Gonsalves (percussion) Shelton Afonso (Guitar)

    Soloist: Sonia Shirsat GOA UNIVERSITY CHOIR - Biography The GU Choir was founded in 2013 under the baton of Metro. Lusardi Girelli, since then the Choir has offered several concerts in Panjim and all around Goa. In 2014 the GUCH performed at the Mount Festival receiving excellent commentaries from the audience and the press, on that year the GUCH did his first tour performing in Mangalore with a great success. SANTIAGO LUSARDI GIRELLI CONDUCTOR Italian-Argentinian conductor, his work as a choir and orchestra conductor, performer, composer and scholar of theological & philosophical traditions of the East and West has taken place in the last recent years in Argentina, Venezuela, Germany, Belgium, Bolivia, Peru, Italy, France, Germany, Belgium, Spain and India. He started his studies in music and philosophy since he was very young; these two paths of study have developed his profile. He has been committed to many educational initiatives that help bringing classical music to young children including all the music programs initiated by the University of Seville, which in time will provide for local talent to flourish at internationally recognized standards. Lusardi Girelli studied Theology and Philosophy at the Universidad del Salvador (US) and Oriental Philosophies, Yoga and Meditation in Argentina, Europe and India. Present day he is Co-Conductor in the Seville Symphony Orchestra Hispalense (Spain) and Co-Conductor at the Seville University Choir. He is founder conductor of the Goa University Choir; he has the Anthony Gonsalves Chair as Visitor Professor at the Goa University in India and Director of Social Art programmes and Professor and Director of International Social Musical Project at the University of Seville (Spain).

    Prima Carminis

    primitive chant

    GOA UNIVERSITY CHOIR Mtro. Santiago Lusardi Girelli

    Conductor Anthony Gonsalves Chair - Visiting Research Professor Program.

    TALIGAO CHURCH Saturday 28th of February - 18.45 hs.

    GOA

  • CODEX BURANUS / Anonym C. Orff ECCE GRATUM CUM FACIES EXERCITUS CHRAMER, GIP DIE

    DA PACEM OSTINATO / Tradition HEBREW SONGS / Eric Withacre

    TEMUNA (A PICTURE) KALA KALLA (LIGHT BRIDE) LAROV (MOSTLY) RAKUT (TENDERNESS)

    TANTUM ERGO / Traditional G. Faur Kim Costa Soloist. MISA CRIOLLA / Ariel Ramrez Sonia Shirsat Soloist.

    KYRIE GLORIA CREDO SANCTUS AGNUS DEI

    Languages: 1 to 4 German / Macaronic / Latin 5 to 8 Hebrew. 9 Latin. 10 to 14 Spanish. Some of the texts of the C. Buranus have been arranged.

    MISA CRIOLLA - Creole Mass Misa Criolla was an early non-Latin Mass post-Second Vatican Council. The Washington Post described Misa Criolla as "a stunning artistic achievement, [that] combined Spanish text with indigenous instruments and rhythms". It led to album sales numbering in the millions internationally. Ramrez once told The Jerusalem Post how Misa Criolla was inspired by a visit to Germany after World War II While there he had an encounter with a group of nuns, which led him to consider writing "a spiritual piece". This would eventually become the Misa Criolla. The Misa, a mass for either male or female soloists, chorus and orchestra, is based on folk genres such as chacarera, carnavalito and estilo pampeano, with Andean influences and instruments. It is also one of the first masses to be composed in a modern language following the authorization of the use of the vernacular by the Second Vatican Council. Ramrez wrote the piece in 19631964 and it was recorded in 1965 by Philips Records. SONGS FROM THE CODEX BURANUS Carmina Burana - Latin for "Songs from Beuern" ("Beuern" is short for Benediktbeuern) is the name given to a manuscript of 254[1] poems and dramatic texts mostly from the 11th or 12th century, although some are from the 13th century. The pieces are mostly bawdy, irreverent, and satirical. They were written principally in Medieval Latin; a few in Middle High German, and some with traces of Old French or Provenal. Some are macaronic, a mixture of Latin and German or French vernacular. They works written by students and clergy when the Latin idiom was the lingua franca across Italy and western Europe for travelling scholars, universities and theologians. Most of the poems and songs appear to be the work of Goliards, clergy (mostly students). The collection was found in 1803 in the Benedictine monastery of Benediktbeuern, Bavaria, and is now housed in the Bavarian State Library in Munich. Along with the Carmina Cantabrigiensia, the Carmina Burana is the most important collection of Goliard and vagabond songs. The manuscripts reflect an international European movement, with songs originating from Occitania, France, England, Scotland, Aragon, Castile and the Holy Roman Empire.

    Prima Carminis

    primitive chant