1. VANGUARDIAS:MOVIMIENTOS REVOLUCIONARIOS CON CARACTERISTICAS DELIMITABLES SIGLO XX

2. Las Vanguardias Histricas

/ Inicios de Duchamp: impresionismo, fauvismo, cubismo / Dada y la crisis de la pintura retiniana/ El Gran Vidrio / Los Ready-mades /

2 Guerra Mundial: Duchamp en Nueva York / Auge del Surrealismo / La Escuela de NY y los inicios del Pop / tant Donns / Malevich y elSuprematismo / Joseph Beuys y el espritu de la Postguerra / Andy Warhol / Inicios del Arte Conceptual y Minimalismo / Bruce Nauman y el Postmodernismo / Robert Gober, Richard Prince, Matt Mullican /Erwin Wurm, Hans Haacke, Gillaume Bijl / El otro 1er Mundo: Jimmie Durham, David Hammons, KenLum, William Pope L / Helio Oiticica y el conceptualismo en Latinoamrica / Francis Als, Gabriel Orozco

/ Las nuevas vanguardias: Pierre Huyghe, Urs Fischer

3. RECURSOS

REFLEXION

RENOVACION

REACCION A LA DECADENCIA

CONFLICTO CON LA REPRESENTACION DE LA NATURALEZA

4.

RETORNO AL INICIO PRIMITIVISMO

AMPLIACION DE LOS ESTADOS DE CONSCIENCIA REPRESENTABLES

5. FAUVISMO

PARIS 1905

INDEPENDENCIA DEL COLOR SOBRE EL OBJETO

DELINEADO GRUESO

ESTETICISMO RENOVADO

SUPRESION DEL REFERENTE

***TEMATICA IMPRESIONISTA

6. REPRESENTANTES

HENRI MATISSE( 1869 1954)

ANDRE DERAIN ( 1880 1954)

7. CUBISMO

1908 CRITICO LOUIS VAUXCELLES

LO ACUA PARA DEFINIR LA OBRA DE BRAQUE

DESCOMPOSICION Y RECOMPOSICION DE LOS CUERPOS EN FIGURAS GEOMETRICAS

8. ETAPAS

ANALITICO - 1908 - PICASSO

• Descomposicin de la figura

• Est caracterizado por el uso de una gama monocromtica de color y formas planas y fragmentadas

COLLAGES - 1912 - BRAQUE

SINTETICO 1914 GRIS

• Unin de diversos planos

• El color y la decoracin juegan un papel ms importante

9. REPRESENTANTES

GEORGE BRAQUE (1882 1963) FRANCES **MATISSE**CEZANNE

PABLO PICASSO

JUAN GRIS

10. PABLO RUIZ Y PICASSO(1881 1973)

Tte de Femmeby the 20th-century artist Pablo Picasso is painted in the cubist style.

The surface is broken into a series of small, flat planes of color that create a sense of form and light.

Picassos interest in African mask work can be seen in his handling of the womans face, which is flattened and stylized.

11. Juan Gris(1887Madrid-1927),

Originally named Jos Vittoriano Gonzlez

12. VERTIENTES

ARTE CINETICO

• MAQUINISMO : FERNAND LEGER (1881 1955)

• ORFISMO : ROBERT DELAUNAY ( 1855 1941)

SECCION DORADA :(nombre de la exposicin organizada en 1912)

• MARCEL DUCHAMP ( 1887 1968)

13. SECCION DORADA

PITAGORAS

RENACIMIENTO PROPORCION DIVINA

AC/AB = CB/AC

A_________C______B

• .618- .382

14. Fernand Lger(1881-1955)

French painter, who influenced cubism, constructivism, and the modern commercial poster and other types of applied art.

Reduce la figura a esquemas mecnicos

Inicia la participacin de la idea de movimiento en la obra.

15.

Women in an Interior

(1921)

by French painterFernand Lger

Muse National dArt Moderne in Paris, France

Demonstrates the belief of the artist that geometric shapes such as the cube, the sphere, and the cone underlie everything in nature.

16. Marcel Duchamp (1887-1968),

French-born American artist whose work had a major impact on the direction of 20th-century art.

By presenting unaltered, everyday objects as sculpture, Duchamp radically changed the course of modern art.

He also helped introduce the European art movements of cubism and dada to the United States, and was influential in the surrealist movement of the 1920s and 1930s.

His emphasis on the intellectual aspects of art influenced many succeeding artists, especially those connected with the 1960s art movement known as conceptual art.

17. Nude Descending a Staircase, No. 2 (1912),by French artist Marcel Duchamp synthesis of two modern-art styles:cubism and futurism.In creating this painting, he may have been influenced by Eadweard Muybridges experiments with movement.When it was shown in the famous 1913 Armory Show in New York, the painting created a sensation because it was considered too radical. 18. Click image for enlargement 19.

a urinal submitted collaboratively with American artist Joseph Stella to a 1917 New York City exhibition of the Society of Independent Artists.

EntitledFountain(1917, original lost) and signed with the pseudonymR. Mutt,Duchamp wrote of it soon after,

"Whether Mr. Mutt with his own hands made the fountain or not has no importance. He CHOSE it," and thereby "created a new thought for that object."

20. LA NOVIA PUESTA AL DESNUDO POR SUS SOLTEROS, AUN1915 1923(FILADELFIA, MUSEO DE ARTE) 2.77 X 1.75 CMS ENTRE 2 PLACAS DE CRISTAL (EL GRAN VIDRIO) 21.

EL DOMINIO DE LA NOVIA:

• LA NOVIA VESTIMENTA DE LA NOVIA REFRIGERADOR HORIZONTE VIA LACTEA PISTON 9 ATRAIDOS SOMBRAS PROYECTADAS IMAGEN REFLEJADA MAQUINISTA DE LA GRAVEDAD

APARATO DE LOS SOLTEROS:

• 9 SOLTEROS VASOS CAPILARES SALTO DE AGUA MOLINO DE AGUA RUEDA DE MOLINO CARRO CORREDERA MOLINILLO DE CHOCOLATE CHASIS RODILLOS CORBATA BAYONETA TIJERA TAMIZ BOMBA EN ESPIRAL TOBOGAN 3 SALPICADURAS PESOS MOVILES CON 9 AGUJEROS TESTIGOS OCULARES CUADROS DE OCULISTA BOLA DE COMBATE COMBATE DE BOXEO 2 ARIETES EFECTO WILSON-LINCOLN

22. Robert Delaunay (1885-1941),

Pintor francs, pionero del arte abstracto en los inicios del siglo XX.

En 1912 se retir del cubismo para concentrarse en formas circulares de colores brillantes.

El trmino orfismo fue acuado por Apollinaire para designar el estado puro de la pintura de este autor.

23. FUTURISMO

MANIFIESTO DE MARINETTI

REPRESENTANTES

UMBERTO BOCCIONI (1882 1916)

24. EXPRESIONISMO

RENOVACION POLITICA Y SOCIAL EN ALEMANIA

• Inconformismo

• Oposicin al impresionismo (superficial)

• Inters econmico

MULTIDISCIPLINARIEDAD

• Apertura hacia todo tipo de disciplinas

3 GENERACIONES

25. CARACTERISTICAS

SUBJETIVIDAD TOTAL

VIOLENCIA TECNICA

TEMATICA MORBOSA O FANTASTICA

26. PRIMER GENERACION

EL PUENTE

1905

TODO AQUEL QUE COMUNIQUE CON FRANQUEZA Y AUTENTICIDAD LO QUE LE IMPULSA A LA CREACION ES DE LOS NUESTROS

27. EDVARD MUNCH (1863 1944)

PADRE DEL EXPRESIONISMO

NORUEGO

• CURVAS SINUOSAS

• COLORIDO ARBITRARIO

• OBSESION POR LA ENFERMEDAD Y LA MUERTE

• Illness, insanity and death are the black angels that kept watch over my cradle and accompanied me all my life -Edvard Munch

28.

autorretrato

29. In Berlin during the 1890s he executed a series of pictures calledThe Frieze of Life,described by himself as'a poem of life, love and death'.The Scream from this series - with its strong expression of conflict and tension - has become the very symbol of the alienation of modern man. 30.

el beso

31. 2DA. GENERACION

EL JINETE AZUL GRUPO CONSTITUIDO EN 1911 EN MUNICH

ES EL NOMBRE DE UN CUADRO DE V. KANDINSKY PINTADO EN 1903 Y MAS TARDE SERA EL NOMBRE DEL ALMANAQUE/MANIFIESTO DEL MOVIMIENTO

EN 1912 ,KANDINSKY PUBLICA DE LO ESPIRITUAL AL ARTE

32. OBJETIVO DEL ARTE:

REVOLUCIONAR

AL

ESPIRITU

33. APORTACIONES

1.- CONSISTENCIA TEORICA

2.- EVOLUCION PLASTICA

• DESDE LAREPRESENTACIONHASTA LAABSTRACCION

34. LIDERES

• Wassily Kandinsky(Ruso)

• Franz Marc

• (Alemn)

• Paul Klee

• (Suizo)

35. Wassily Kandinsky(1866-1944)

Su exploracin de las posibilidades de la abstraccin lo convirtieron en uno de los ms importantes innovadores del arte del siglo XX

Tanto como artista como terico.

36.

LA RELACION ENTRE POESIA Y PINTURA LE DA PASO A LA DE LA MUSICA CON LA PINTURA

EL OBJETO PERJUDICA MI CUADRO V.K.

EL TEMA PIERDE IMPORTANCIA PARA CEDERLA AL COLOR

• FUERTE

• LIBRE

• VIOLENTO

• REAL

37.

Improvisation 28(second version) was painted by Russian artist Wassily Kandinsky in 1912. Kandinsky used energetic color and form to express the spiritual content of his work. He was also a musician and saw a connection between the visual arts and music, which he attempted to convey in paintings such as this one.

38. Composicin IV (1911) 39. 1924 Contrasting Sounds 40. Franz Marc(1880 1916)

PADRE PINTOR PAISAJISTA / MADRE OPRESIVA

1900-1903 : ESTUDIOS DE ARTE

1903 : PARIS-IMPRESIONISTAS

1905 : DEPRESION

1906 : VIAJE A GRECIA

1907 : ACTIVIDAD AGOTADORA EN MUNICH COMPROMISO MATRIMONIAL ROTO

1908 : PARIS FAUVISTAS

1909 : ANATOMIA ANIMAL

1910 : AUGUSTE MACKE

1911 : KANDINSKY

1912 : DELAUNAY

41.

Blue Horse I

1911 Oil on canvas 112.5 x 84.5 cm Stadtische Galerie im Lenbachhaus, Munich

Marc CREA QUE LAS FORMAS ANIMALES ERAN MAS BELLAS QUE LAS HUMANAS

SUS PINTURAS REFLEJAN SU CREENCIA FILOSOFICA REFERENTE A LA CONECCION ESPIRITUAL CON LA NATURALEZA.

42. Deer in the Woods II 1912 Oil on canvas 110.5 x 80.5 cmStadtische Galerie im Lenbachhaus, Munich 43. Fighting Forms191491 x 131 cmStaatsgalerie moderner Kunst, Munich 44. PAUL KLEE(1879-1940)

EL MUNDO ES UNA CREACION DE UN RELOJERO COSMICO

EXISTEN EQUIVALENTES VISUALES A ESTADOS ESPIRITUALES

EL PRIMITIVISMO Y LA SABIDURIA INFANTIL SON ESENCIALES

SIMBOLOS Y METAFORAS

• SE APROXIMA A MIRO

45.

NACE CERCA DE BERNA, SUS PADRES SON MUSICOS

ESTUDIA MUSICA Y EN 1902 VIAJA POR ITALIA, VISITA PARIS Y BERLIN

1906 - SE CASA CON UNA PIANISTA Y SE INSTALA EN MUNICH : INICIA SU CARRERA EXPRESIONISTA

1911 : EXPONE CON EL JINETE AZUL

1912 : CONOCE A DELAUNAY EN PARIS, ADMIRA A PICASSO Y BRAQUE

1914 : VIAJA A TUNEZ Y DESCUBRE EL VERDADERO COLOR

1920 : EXPONE 362 OBRAS EN MUNICH

1924 : EXPONE EN NEW YORK

1925 : INCURSIONA EN EL SURREALISMO

1933 : PROBLEMAS CON EL GOBIERNO NAZI (ARTE DEGENERADO)

46. CIUDAD DE ENSUEO 1914 47. PARQUE DE IDOLOS CABEZA DE UN HOMBRE1922 48. OSKAR KOKOSCHKA (1886 1980)

AUSTRIACO, SE EDUCA ENTRE VIENA Y BERLIN, ESCRIBE Y PINTA

1913 : VIAJA A VENECIA, CONOCE LA OBRA DE TINTORETO (1518-1594)

VIAJERO CONSTANTE

RETRATISTA, PAISAJISTA, PROTESTA POLITICA ANTI-NAZISTA

1938 ARTE DEGENERADO

1940 EXPOSICION EN N.Y.

1958 : HOMENAJE INTERNACIONAL 682 OBRAS

49. LEDA Y EL CISNE tintoreto c. 1555 Oil on canvas 147.5 x 147.5 cm (58 x 58 in.) Uffizi, Florence 50. Suzanna at Her Bathc. 1560 167 x 238 cmMusee du Louvre 51. IL DUOMO DE FLORENCIA kokoschka 52. LA ESPOSA DEL VIENTO 1914 181 X 220 BASILEA KUNST MUSEUM 53. 54. 55. BAUHAUSE

An institute established in 1919 by Gropius from the old Weimar Academy of Fine Arts and the Weimar School of Arts and Crafts .

Gropius's aim was to unify the teaching of all the arts under the umbrella of design and with an eye to producing for the machine age.

56. DADAISMO

MOVIMIENTO ANTI-ARTE BASADO EN UNA ETICA NIHILISTA

SORPRESA, POLEMICA, ESCANDALO, EXPERIMENTACION, AGRESION, VIOLENCIA, INSULTO, HUMOR

57.

PODEMOS DIFERENCIAR 3 TENDENCIAS:

• CRITICA SOCIAL

• CRITICA POLITICA

• CRITICA A LA RACIONALIDAD

AL NEGAR EL ARTE, ABREN LAS POSIBILIDADES A

• FOTOMONTAJE

• COLLAGE

• PINTOESCULTURA

• READY MADE

• MATERIALES NUNCA ANTES USADOS (BASURA)

58.

Tzara, Tristan(1896-1963),

French essayist and poet, born in Romania, known primarily as the founder of the Dada movement .

First in Zrich, Switzerland, and later in Paris, Tzara wrote the movement's first manifestos, describing its nihilistic tenets.

By 1930, however, he abandoned the pessimism and sterility of Dadaism and became interested in surrealism.

He joined the French Resistance during World War II, and following the war he turned his poetic insight toward the more realistic problems of humankind.

59. MARX ERNST (1891-1976 ) The Kiss (Le Baiser),1927. Oil on canvas, 129 x 161.2 cm. Peggy Guggenheim Collection. 60. The Hat Makes the Man . 1920. Gouache, pencil, ink, and cut-and-pasted collotypes, (35.6 x 45.7 cm).MOMA "seed-covered stacked-up man seedless waterformer (edelformer') well-fitting nervous system also tightly fitted nerves!(the hat makes the man) (style is the tailor)," 61. Napoleon in the Wilderness . (1941) Oil on canvas, 18 1/4 x 15" (46.3 x 38.1 cm) The Museum of Modern Art, New York. 62. JOAN MIRO(1893-1983) Personage Throwing a Stone at a Bird 63. Carnival of Harlequin 64. CONSTELACIONES 65. MARC CHAGALL(1887 1985)

RUSO, ESTUDIA EN SU PAIS HASTA 1909

1910 SE ESTABLECE EN PARIS, CONOCE A DELAUNAY, LEGER Y APOLLINAIRE

1915 SE CASA CON SU AMOR BELLA (MUERE EN 1944 EN E.E.U.U.) VIVE EN RUSIA HASTA 1930

1931 VIAJA A PALESTINA

1941 EMIGRA A EE.UU.

1948 REGRESA DEFINITIVAMENTE A FRANCIA (SE CASA CON VALENTINE)

EXPOSICIONES EN N.Y., PARIS, JERUSALEN, FLORENCIA

66.

cuyre aux Colombes,by the 20th-century Russian-born artist Marc Chagall, contains images used frequently by the artist. The circus rider, the violin player, and the doves are just a few of the images and symbols Chagall incorporated into his work, some of which are drawn from Russian Jewish folklore and tradition. His unique style reflects a number of art movements to which he was exposed, including expressionism, cubism, and fauvism.

67.

The Metropolitan Opera Company relocated to the ten-story opera house in New York Citys Lincoln Center for the Performing Arts in 1966. The Metropolitan Opera House also is home to the American Ballet Theater Company. The lobby of the building contains many impressive works of art, including the Marc Chagall murals visible here through the entrances six-story windows. Lincoln Centers monumental complex also houses the New York Philharmonic, the New York City Ballet, and the Juilliard School of Music.

68. 1912Adam and Eve chagall 69. 1938 White Crucifixion 70. LesFiancesde la Tour EiffelTheBethrothed Marc Chagall 71. GIORGIO DE CHIRICO 72. ANDROMACA Giorgio de Chirico (Italian, born in Greece, (18881978) 73. A riadne , Giorgio de Chirico (Italian, born in Greece, (18881978) 1913Oil and graphite on canvas;135.6 x 180.3 cm , MET 74. CANCION DE AMOR