ERROMANTIZISMOA PINTURAN ETA ARKITEKTURAN
EUSKARARA MOLDATUA
ERROMANTIZISMOA PINTURAN (1. ½. XIX. m)
Erromantizismoaren maisuak
EUGÉNE DELACROIX(1798-1863)
WILLIAM TURNER ( 1775-1851)
CASPAR DAVID FRIEDRICH (1774-1840)
FRANTZIA INGALATERRA ALEMANIA
E. DELACROIX. Quioseko sarraskia, 1825
FRANTZIAKO ERROMANTIZISMOA
EUGÉNE DELACROIX(1798-1863)
THÉODORE GÉRICAULT (1791-1842)
MEDUSAREN BALTSA
E. DELACROIX. DANTEREN TXALUPA, 1822
QUIOSEKO SARRASKIA, 1825
SARDANÁPOLOREN HERIOTZA, 1827
ASKATASUNA HERRIAREN GIDARI, 1831
ALJERIAKO EMAKUMEAK HARENEAN, 1834
EMAKUMEA
ARABIARRA LEHOIAREN EHIZAN, 1849
ARABIARRAK LEHOIAREN EHIZAN, 1860
GIAOUR ETA HASSANEN ARTEKO BORROKA
INGALATERRAKO ERROMANTIZISMOA
WILLIAM TURNER ( 1775-1851)
JOHN CONSTABLE (1776-1837)
BRIGHTON BEACH
The Stour-Valley with the Church of Dedham1814 – Óleo sobre lienzo, 55,5 x 77,8 cm
Museum of Fine Arts, Boston (EEUU)
Salisbury Cathedral from the Bishop's Grounds (1825)óleo sobre lienzo, 88 x 112 cm
Metropolitan Museum of Art, New York (EEUU)
Turner
San Giorgio Maggiore at Dawn (1819)Acuarela, 224 x 287 mm
Tate Gallery, Londres
KANAL HANDIA, Venecia (1835)Óleo sobre lienzo, 91 x 122 cm
Metropolitan Museum of Art, New York
EL TEMERARIO KRIGSSKIPET es remolcado tras su último viaje (1838-39) Óleo sobre lienzo, 91 x 122 cm
National Gallery, Londres
ELUR EKAITZA ITSASO ZABALEAN, 1842
EURIA, LURRUNA ETA ABIADURA, 1844
ALEMANIAKO ERROMANTIZISMOA
CASPAR DAVID FRIEDRICH (1774-1840)
MONJEA ITSASOAREN AURREAN, 1808
ARIZTIKO ABADIA, 1809
GURUTZEA MENDIETAN, 1808
BIDAIARIA LAINOZKO ITSASOAN, 1818
RÜGENEKO
LABARRAK, 1818
RÜGENEKO LURMUTURRA
EGUNSENTIA, 1821
ITSASO IZOZTUA, 1823
Romantic Architecture
• John Nash (1752-1835)
• Sir Charles Barry (1795-1860)
• Charles Garnier (1825-98)
ARKITEKTURA ERROMANTIZISMOAREN GARAIAN
PINTORESCO, EXOTIKOA, LEGENDARIOAHistorizismoa, revival
Revival Architecture
Nash, Royal Pavilion, Brighton
King George IV.aren jauregia itsasertzean,
Exotismoa, ganga islamdarrak, tipula gangak, minareteak,Burdinurtuzko hezurdura
Royal Pavilion at Brighton, John Nash, 1815
Coakbrookdale, 1779,
Arkitektura industriala
Revival ArchitectureBarry and Pugin, Houses of Parliament,
London• Old Houses of Parliament burned to the
ground in 1834• Competition held in 1835 to rebuild the
Houses• Only styles allowed in the competition were
Elizabethan Tudor and Gothic• 97 entries, this was the winning entry• Ground plan is cruciform• Two main axes meet in an octagonal central
lobby: House of Commons meets the House of Lords
• Barry was a classicist, a regularity of the rhythms of the façade
• Pugin was a medievalist: towers and decorative elementsErdi Aroko beste eraikinetik hurbil (Westminster Abbey) eta horiekin harmonizatua,
Erloju-dorrea, Big Ben, herrixka bateko Erdi Aroko erloju bat bezalakoa da,
Italiako dorretan ere inspiratuta,
C. Barry, Londreseko Parlamentua
Revival ArchitectureGarnier, The Opera,
Paris
Fatxada koloretako marmolez polikromatua Burdina erabiltzen da, baina ez bistan,
Neobarrokoa, eklektizismoa, Garnier
Transformations de Paris sous le Second Empire
HaussmannNapoleon III.a
Sainte-Genevieve Library, Paris
Beginnings of Modern ArchitectureLabrouste, Sainte-Genevieve Library,
Paris• Combination of load bearing
masonry and iron construction• Arches and columns support roof
independent of masonry walls• Iron construction balanced by itself• Substitute a cast-iron shaft for a
column of granite• Narrow, rectangular ground plan
wedged onto a long constricted site• 1838, first library in Paris to be
opened at night, illuminated with gas lamps
• Had to be constructed of fire-proof materials
Exterior:• Continuous range of arches on tall,
narrow piers• Exterior can be thought of as a cover
for a book• First consistently exposed iron
skeleton in a monumental public building
• Arches on interior reflect arches on exterior
• Repetitive and mechanical decoration on surface
• Façade composed of 810 names of authors in chronological order from Moses to Berzelous, 1848, a Swedish chemist
Beginnings of Modern Architecture
Labrouste, Sainte-Genevieve Library, Paris (continued)• Central name is Byzantine writer Psellus symbolizing the meeting of
East and West• Façade as a monumental card catalogue, or Table of Contents• Main portal: two flat Tuscan columns, surmounted by lamps that
symbolize opening at night for the convenience of students and workers
• Lamps around door look like bookmarksInterior:• Single spine of cast iron down center• Spatially open, evenly lit in daytime and well-ventilated• Interior and exterior compliment each other
Beginnings of Modern Architecture
Paxton, Crystal Palace, London• Competition to build a World’s Fair in
London to be held in 1851• Buildings to be temporary, economical,
simple, and capable of rapid construction• 245 designs submitted, none suitable• Paxton formulated this design in eight
days, fulfilling all requirements• Built in 39 weeks of prefabricated
materials• 1851 feet long, 18 acres• Free of internal walls• 7,200 cast iron and wrought iron
columns• 900,000 square feet of sheet glass● Kristalezko hormak
● Berotegietan inspiratuta
Paxton1851Kristalezkojauregia
SCHLOSS NEUSCHWANSTEIN